Venice: Manfredus de Bonellis de Monteferrato, 31 January 1491 [1492?]. 4to (211 x 145 mm). 70 (of 72) leaves, a2.7 supplied in facsimile. Gothic type, 40-41 lines, initial spaces with printed guide letters. 64 (of 66) woodcuts within any of five decorative historiated frames; a single woodcut initial. Modern russet.....
[Milan, 1782]. Large folio (585 x 430 mm). 24 engraved ornamental illustrations by Giacomo Mercoli after Giocondo Albertolli (the last 4 on 2 plates), all with fine contemporary coloring, contemporary blue tissue guards. Contemporary Italian gilt-paneled sprinkled calf, artist's name gilt-lettered on covers. Some light staining to covers, a generally fine.....
Venice: Aldus Manutius and Andrea Torresani, 1521. Aldine 8vo (161 x 94 mm; 63/8 x 33/4 in.). Collation: aa-bb^8 a-ss^8 tt^4. 3- and 4-line printed guide letters. 18th-century red roan-backed marbled boards, smooth spine gilt-lettered and -ruled, all edges gilt. Some rubbing to joints and extremities, lower margin of ss8.....
Santa Fe: Arena Editions, 1999. 8vo. 205, [1] pages. Boards, image mounted on cover. FIRST EDITION, INSCRIBED AND WITH AN INKED FOOTPRINT in green by Beard on the half-title: "Greetings! Peter Beard NYC." Curated by Peter T. Tunney and with an essay by Anthony Haden-Guest.
Paris: Adrien Le Roy, Robert Ballard and Mamert Patisson for Jacques Patin, 1582. 4to (231 x 165 mm). Collation: a4 e4, A-T4, including 53 pages of typographical musical notation; 8 full-page etchings of the entertainment and 18 large etchings of pictorial medallions, designed by Jacques Patin, one full-page engraving of.....
Paris: Israel Silvestre, circa 1645. Complete set of twelve etchings, plates 110 x 255 mm and similar, sheets 220 x 345 mm, including title, in the first state (of two). Fine impressions, wide margins, pale water stain to plates at center of volume, early ink inscription on title. 18th-century half-vellum.....
Paris: Cabinet d'Art Graphique / Centre Georges Pompidou, 1995. 4to (9.5 x 8 inches). 94 pages. Color and black-and-white illustrations. Stiff wrappers. FIRST EDITION, INSCRIBED on the half-title: "Best wishes Louise Bourgeois." Published to accompany the exhibition held 1 February to 10 April 1995.
[circa 1617-1623]. The complete set of 16 etchings including title, sheets 80 x 80 mm and similar, good impressions of the second states (of three or four), with thread margins, occasional small thin spots on the reverse, otherwise in good condition. In four mats. Provenance: Purchased from Hellmuth Wallach, 1957.....
Milan: Franco Maria Ricci and Ge. Co. Fin SpA, 1979. Text in English, French and Italian. Square folio (12 x 12 inches). 63 color illustrations. Pictorial wrappers. Umberto Eco's foreword entitled "The copy as art" describes the artistic and social implications of the act of the reproduction, and the means.....
![Estroflessione [Original Multiple in white plastic]. Accompanied by the book: Enrico Castellani...](/pictures/thumb/404192.jpg?v=1568602880)
Milan: Achille Mauri, 1968. Thermoformed plastic multiple: 11.75 x 11.75 inches; 30 x 30 cm. Some minor age darkening at the edges, generally in fine condition, without cracks or abrasions. The book: 44 pages. Text by Vincenzo Agnetti. In Italian, French, and German. Photographs by Giorgio A. Colombo, Franco Angeli.....
Paris: PAB, 1964. 8vo (9.75 x 7 inches; 248 x 178 mm). 98, [6] pages. Printed on Arches. ONE OF 50 COPIES WITH FOUR ORIGINAL SIGNED PRINTS BY GEORGES BRAQUE, ALBERTO GIACOMETTI, JOAN MIRÓ, and MARIA HELENA VIEIRA DA SILVA; and 12 illustrations in text by Valentine Hugo (portrait of.....
Paris: Michael Woolworth Publications, 2016. Folio (16 3/4 x 12 1/2 inches). 19 linocuts, including the original wrapper; printed slipcase. LIMITED EDITION, number 18 of 40 copies signed by Dine (there were also 8 artist's proofs and 7 printer's proofs). Designed by Dine and Michael Woolworth. The linocuts were hand-printed.....
San Francisco: The Arion Press, 1993. 4to (12 x 9 1/2 inches). 5 etchings and 6 woodcuts by Jim Dine. Original black quarter-morocco, spine lettered in silver, beige cloth-covered boards, upper cover printed in black, original cloth-edged slipcase with silver-printed label on spine. LIMITED EDITION, letter I of 26 lettered.....
Edinburgh: James Watson, 1711. Folio (335 x 214 mm). Fine engraved frontispiece portrait of the William Drummond of Hawthornden. Contemporary divinity calf. Some light wear, front joint partly split at top; some minor pale marginal dampstaining, occasional pale browning. Provenance: George Edward Dimock (bookplate); Fletcher and Maude Battershall (bookplate); purchased.....
Rome: Bartholomaei Bonsadini and Titi Diani, 1585. Small folio (315 x 215 mm; 12.5 x 9 inches). [10] leaves; 453; [11] leaf index. Title printed in red and black, large engraved printer's device, woodcut inititials in text. Roman and italic type. Contemporary vellum over pasteboard, gilt-lettered on spine, edges speckled.....
Paris: Jacques-François Chereau, circa 1780. The complete set of six engravings by A. Colinet, plates 265 x 195 mm, sheets 320 x 250 mm, fine impressions, with margins. Plate 6 with paper losses to the left sheet edge, otherwise in good condition. Bound with three other works, as detailed below.....
London: 1996. Oblong accordion form (6 x 12 inches). Color aquatints by Otto Lowe. Bound in simulated reptile hide by Rob Hadrill at Book Works. A fine copy. FIRST EDITION, LIMITED EDITION, artist's proof 4 signed by the author and illustrator from an edition of 50.
Southern Europe: 18th century. 83 x 57 mm. ILLUMINATED MINIATURE MANUSCRIPT ON VELLUM. 70 leaves (with an additional 18 blank leaves at end), manuscript in black and gold, ruled in red. 19th-century morocco gilt (some light wear to joints and edges). Provenance: Cornelius J. Hauck, Cincinatti Museum Center (their sale.....
London: Harvey Miller, 1975. First edition. Folio. 350 black-and-white and color illustrations, including 4 color plates tipped-in as issued. Original cloth; original dust jacket. FIRST EDITION, and a very fine copy, virtually as issued. This is the third volume of 'A Survey of Manuscripts Illuminated in the British Isles,' edited.....
New York and Paris: Juliette Halioua Ltd. and Adrien Maeght Editeur, 1973. Leporello-style accordion-form color lithograph printed by Ateliers Arte, Paris, 73 x 12 inches; 1854 x 305 mm. Folding into original cloth portfolio with color lithograph mounted on cover. A FINE ARTISTS BOOK. The Swiss artist Warja Lavater is.....
New York: The Museum of Modern Art, The Philips Collection, Harper Collins, 1993. Oblong 4to. [48] pp. Color reproductions of the entire "Migration of the Negro" series. Deluxe binding of blue cloth, gilt-lettered; cloth slipcase with mounted color image on front. A near-fine copy with only slightest of toning to.....
Paris: Editions de la Galerie Simon [D. H. Kahnweiler], 1925. 4to (250 x 200 mm). 7 lithographs by Masson, including that for the cover. Original printed wrappers; original glassine. Some wear and a few short tears to glassine, remnants of owner’s label on front free endpaper. LEIRIS’S FIRST BOOK, AND.....
Paris: Albin Michel Éditeur, 1942. 4to. 75 plates (unnumbered, around 400 pages). Sheets laid-loose as issued in gilt-decorated, dark green portfolio with red yarn ties; slipcase. FIRST EDITION. Accompanied by the text of "L'Apocalypse e Saint Jean" in the translation of Le Maistre de Sacy. "L'Apocalypse d'Angers" is a representation.....
New York: Harry N. Abrams, 1979. Square 4to (8 x 8 inches; 203 x 203 mm). [48] pages. Full-page color offset prints. Original cloth; dust jacket. FIRST EDITION, inscribed by Lewitt on the front free endpaper in pencil to "Ann." Uncommon in the cloth-bound issue, and especially so when signed.....
New York: The Limited Editions Club, 1985. Limited edition, number 322 of 800 copies. Folio. Original Nigerian goatskin-backed marbled boards, goatskin facings on the boards, gilt-lettered on spine, bound by Denis Gouey; publisher's slipcase. Designed by Harry Milliken, Ben Shiff and David Wolfe. Presswork by The Anthoensen Press, Heritage Printers.....