Paris: circa 1560. The set of 46 engravings, plates 190 x 140 mm, sheets 320 x 210 mm, good impressions, watermark Edmond de (?), with margins. 19th-century calf gilt. Four plates re-margined, old reinforcements along gutters, occasional pale staining and paper toning, otherwise in good condition. Provenance: purchased from Librairie.....
San Francisco: Arion Press, 2003. 4to (11.75 x 8.75 inches). Preface by Ron Loewinsohn. 124 pages. ORIGINAL COLOR LITHOGRAPH BY WAYNE THIEBAUD, signed. Black-and-white portrait of Brautigan by Edmund Shea [here published for the first time]. Original two-toned decorated cloth. DELUXE ISSUE, letter "V" of 26 copies reserved for complimentary.....
[New York]: [Adventures in Poetry], [1971]. 4to. 89 unnumbered leaves, loose as issued in printed manila envelope. FIRST EDITION OF BARTLETT'S FIRST PUBLISHED WORK, a scarce mimeograph series of poems, including diagramatic illustrations. In 1987, Barlett gave an interview discussing how 'Cleopatra' relates to her paintings. The poem is one.....
Santa Fe: Arena Editions, 1999. 8vo. 205, [1] pages. Boards, image mounted on cover. FIRST EDITION, INSCRIBED AND WITH AN INKED FOOTPRINT in green by Beard on the half-title: "Greetings! Peter Beard NYC." Curated by Peter T. Tunney and with an essay by Anthony Haden-Guest.
Paris: Maeght, 1959-62. 4 volumes (of 7, without Peintures 1924-1927, Peintures 1916-1923, and Le cubisme, fin 1907-1914), 4to. Photographic frontispiece of Braque in each volume, numerous black and white and color illustrations throughout. Original decorated buckram ring binders. Some slight darkening to spines, joints starting on a few volumes. Volumes.....
[Florence]: 1619. Etching, 282 x 210 mm plate, 353 x 287 mm sheet, on laid paper with a Cross of Lorraine watermark, a fine impression of the second state (of three), with wide margins, some minor mostly marginal foxing, taped to the backboard at three corners verso, otherwise in good.....
![Estroflessione [Original Multiple in white plastic]. Accompanied by the book: Enrico Castellani...](/pictures/thumb/404192.jpg?v=1568602880)
Milan: Achille Mauri, 1968. Thermoformed plastic multiple: 11.75 x 11.75 inches; 30 x 30 cm. Some minor age darkening at the edges, generally in fine condition, without cracks or abrasions. The book: 44 pages. Text by Vincenzo Agnetti. In Italian, French, and German. Photographs by Giorgio A. Colombo, Franco Angeli.....
Paris: PAB, 1964. 8vo (9.75 x 7 inches; 248 x 178 mm). 98, [6] pages. Printed on Arches. ONE OF 50 COPIES WITH FOUR ORIGINAL SIGNED PRINTS BY GEORGES BRAQUE, ALBERTO GIACOMETTI, JOAN MIRÓ, and MARIA HELENA VIEIRA DA SILVA; and 12 illustrations in text by Valentine Hugo (portrait of.....
Paris: Jules Meynal, 1920. Letterpress title and 36 wood-engravings loose as issued in four cloth portfolios, each print with Schmied’s chopmark and numbered in pencil “2/25”, tipped to mount and matted. Overall 475 x 328 mm. SCARCE LIMITED EDITION, number 2 of 25 copies on Chine monté (there were also.....
Vulgarités. Paris: Aubert, n.d. [1841-42]. 10 lithographs, 354 x 262 mm, and smaller. D.905-914. La Chasse. Paris: Aubert for Pannier, n.d. [1843-44]. 12 lithographs, 354 x 267 mm, and smaller. D.1072-1083. Both suites are assembled sets, some prints formerly bound or framed, some with gilt edges. Occasional chipping at edges.....
San Francisco: The Arion Press, 1984. Folio (20 1/2 x 14 inches). 28 drypoint etchings, combining engraving and drypoint, using hand and electric tools, by Jim Dine, plus an additional print on chine colle from the second state of the frontispiece (entitled "Details from Nancy's Garden"), signed by Dine, laid.....
San Francisco: The Arion Press, 1990. Essay and glossary by Bill Berkson. Broadsheets (22 x 15 inches). 42 lithographs by Jim Dine. With 8vo (11 x 7 1/2 inches) text volume in pocket of box; sewn in original printed wrappers. Contents loose as issued in red cloth portfolio box. LIMITED.....
Edinburgh: James Watson, 1711. Folio (335 x 214 mm). Fine engraved frontispiece portrait of the William Drummond of Hawthornden. Contemporary divinity calf. Some light wear, front joint partly split at top; some minor pale marginal dampstaining, occasional pale browning. Provenance: George Edward Dimock (bookplate); Fletcher and Maude Battershall (bookplate); purchased.....
London: Faber & Faber, 1986. 4to. 144 pages. Color illustrations, diagrams in text. Black cloth lettered in silver; printed board slipcase. SCARCE DELUXE LIMITED ISSUE OF THE FIRST EDITION, number 51 of 150 copies, signed by Eno and Mills on the half-title, and with Mills' original lithograph "Warm Jets" (1985).....
Rome: Bartholomaei Bonsadini and Titi Diani, 1585. Small folio (315 x 215 mm; 12.5 x 9 inches). [10] leaves; 453; [11] leaf index. Title printed in red and black, large engraved printer's device, woodcut inititials in text. Roman and italic type. Contemporary vellum over pasteboard, gilt-lettered on spine, edges speckled.....
Basel: Michael Isengrin, 1543. Folio (377 x 242 mm). Woodcut printer's device on title, large Isengrin device on final recto, full-page woodcut portrait of Fuchs on title verso, 517 botanical woodcuts by Viet Rudolph Speckle after Heinrich Füllmaurer and Albert Meyer, woodcut portraits of the three artists at end, woodcut.....
New York: Harry N. Abrams, 1981. Square 4to. 347 pages. 190 illustrations, of which 100 in color. Cloth; dust jacket. FIRST EDITION, signed by the artist and dated 1981 on the half-title.
Waltham Saint Lawrence: Golden Cockerel Press, 1927. Folio. 45 pages. Text in English and Greek. Wood engravings by Robert Gibbings. Original niger-backed hessian boards by Sangorski & Sutcliffe, top edges gilt, others uncut; slipcase. LIMITED EDITION, number 129 of 275 copies. Introduction by J.S. Phillimore.
London: Macmillan & Co, 1880. 4to (314 x 222 mm). Title printed in red and black with engraved vignette, and 48 plates: 26 etchings by various artists and 22 heliogravures by Amant-Durand. Publisher's roan-backed cloth, edges uncut. Hinges split, rubbed. Provenance: John Hall (bookplate); purchased from Boston Book Company, 1959.....
Leiden [i.e. Naples]: circa 1771. 2 volumes in one, 8vo (210 x 130mm). 2 engraved titles, 70 engraved plates, good impressions with margins. Contemporary French red morocco gilt, edges gilt, in Derome style. Provenance: Robert Peyrefitte, with his bookplate; purchased from H.D. Lyon, 1994. FIRST EDITION of Hancarville’s collection of.....
New York: Self-published, 1992. 4to. [92] pages. 16 color and 29 tritone images. Original cloth. The third volume of 'ONE OF THE MOST EPIC AND AMBITIOUS OF ARTIST'S BOOKS' (The Photobook). One of 750 copies. This is the third in Horn's ongoing series of books concerning Iceland. Here she collects.....
New York: Peter Blum, 1990. 4to. [36] pages. Original cloth. The first volume of 'ONE OF THE MOST EPIC AND AMBITIOUS OF ARTIST'S BOOKS' (The Photobook). SIGNED by Roni Horn on the title-page. One of 1150 copies of the regular issue (an issue of 150 additional copies contained a signed.....
San Francisco: Asian Art Museum / Chong Moon Lee Center for Asian Art and Culture, 2004. First edition, limited issue, one of 150 copies in hardcover boxed with an original signed print. 4to. Original woodcut and silkscreen on Japanese paper titled "Diary: Dec. 21st '03" numbered 99/150 and signed in.....
Stuttgart: Cantz Verlag, 1993. 4to. 159 pp. 143 color plates. Original salmon boards; pictorial dust jacket. A fine copy. FIRST EDITION of this catalogue of Judd's work for a traveling exhibition sponsored by the Stankowski Foundation. It showed the full spectrum of Judd's work in art and architecture, including prints.....
London: Macmillan, 1924. 8vo. Portrait frontispiece of Morris by Emery Walker, 16 plates. Original linen-backed blue holland boards, printed paper spine label. A fine copy. First edition, and a fine copy of this excellent study of the operation and history of the Kelmscott Press. The author was the son-in-law of.....