[Mount Vernon, NY]: A. Colish, 1988. Introduction by Kit Currie. 8vo. 52, pp. Printed in red and black. Original patterned paper boards. Near-fine save two tiny areas of wear at foot of spine. One of 1500 copies designed by Jerry Kelly. Publisher's letterpress announcement laid in.
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[Mount Vernon, NY]: A. Colish, 1988. Introduction by Kit Currie. 8vo. 52, pp. Printed in red and black. Original patterned paper boards. A fine copy. One of 1500 copies designed by Jerry Kelly.
New York: The Angelica Press, ca. 1974. 32mo (2.75 x 2.25 inches). Small woodcut of an angel printed in red on the first leaf.  pages, unopened. Sewn in plain purple wrappers. Number 59 of 450 copies, providing the address and telephone number of Dennis J. Grastorf at The Angelica Press.
San Francisco: Arion Press, 2003. 4to (11.75 x 8.75 inches). Preface by Ron Loewinsohn. 124 pages. ORIGINAL COLOR LITHOGRAPH BY WAYNE THIEBAUD, signed. Black-and-white portrait of Brautigan by Edmund Shea [here published for the first time]. Original two-toned decorated cloth. DELUXE ISSUE, letter "V" of 26 copies reserved for complimentary...
np, 1948. An original print sent as a New Year's card. ["A Happy Year"]. 4-1/4" x 5-1/4" print on a 6-3/4" x 12-1/4" paper folded and mailed. A very good copy.
New York: Targ Editions, 1979. Tall 8vo. 20, pp. Original cloth; glassine. A near-fine copy with slight foxing at edges of boards. FIRST EDITION, LIMITED ISSUE, number 336 of 350 copies signed by the Nobel Prize winning author. Designed by Ronald Gordan at The Oliphant Press.
Béthune: Éditions Brandes, 1985. 8vo. Frontispiece by the author. Original printed wrappers; glassine. Light toning to glassine. LIMITED EDITION, number 2 of 111 copies.
Bloomfield Hills, MI and Columbia, SC: Bruccoli Clark, 1973. 8vo. Three unbound gatherings laid loose as issued in cloth folding case. Near-fine, slightest toning to case. FIRST EDITION, limited issue, number 3 of 250 copies signed by the author from an edition of 300. Printed by A. Colish, Mount Vernon, New York.
North Hills, PA: Bird & Bull Press, 1982. 8vo. 154,  pp. Original quarter morocco, patterned paper boards; acetate. A fine copy. FIRST EDITION, number 324 of 350 copies. Printed on mouldmade Bugrabutten paper and bound by Gray Parrot.
Harper Woods, MI: Adagio Press, 1982. 8vo. Printed in red and black. Original printed wrappers. A fine copy. LIMITED EDITION, number 65 of approximately 200 copies signed by the publisher Leonard F. Bahr.
New York: The Falstaff Press, 1931. 8vo. 133 pp. Illustrated by Alexander King. Original lavender decorated cloth. Spine faded, light wear at extremities. LIMITED EDITION, number 438 of 500 copies for subscribers.
London: The Vale Press [by the Ballantne Press], 1902. 4to. Full-page woodcut floral border by C. S. Ricketts on [a]4r. Specially bound in brown half morocco, brown cloth boards, spine gilt-ruled and -lettered, top edges gilt, others untrimmed. Beautifully printed edition of Browne's classic, edited by C.J. Holmes. According to.....
Portland, ME: Thomas B. Mosher, 1909. 8vo. 125 pp. Original parchment-backed yapp-edged boards. Some wear to edges and spine, intermittent pale dampstaining and spotting.
[Verona: Officina Bodoni for] Philobyblon, 1990. Folio (12 x 8 inches). Tect in Latin and Italian. Diagrams in text. Original black morocco gilt; acetate; slipcase. A fine copy. FIRST EDITION, LIMITED ISSUE, number 91 of 120 copies.
Berkeley: University of California Press [by the Pennyroyal Press], 1982. Folio. 146 pages. Illustrated by Barry Moser. Cloth-backed boards; dust jacket. First trade printing of Moser's illustrated edition.
Berkeley: University of California Press [by the Pennyroyal Press], 1983. Folio. 167 pages. Illustrated by Barry Moser. Cloth-backed boards; dust jacket. First trade printing of Moser's illustrated edition.
London: The Colophon Press, 1993. 8vo. 17, pp. Original wrappers, printed paper label on cover. Slight shadow at edges of wrapper. FIRST EDITION, LIMITED ISSUE, number 6 of 175 copies from an edition of 211. With a lengthy presentation inscription from the publisher on the second leaf beneath the introductory text.
Circle Press Publications, 1978. Folio (15 1/2 x 11 inches). 57 pages. Color screen prints by Ronald King. Cloth; slipcase. LIMITED EDITION, number 220 of 250 copies intialed by King. This copy has the folder for the additional print, but is lacking the print.
New York: Red Ozier Press, 1983. 8vo.  pp. Original printed wrappers. Fine. FIRST EDITION, number 134 of 155 copies signed by Davenport from an edition of 200.
San Francisco: The Arion Press, 1993. 4to (12 x 9 1/2 inches). 5 etchings and 6 woodcuts by Jim Dine. Original black quarter-morocco, spine lettered in silver, beige cloth-covered boards, upper cover printed in black, original cloth-edged slipcase with silver-printed label on spine. LIMITED EDITION, letter I of 26 lettered...
San Francisco: The Arion Press, 1984. Folio (20 1/2 x 14 inches). 28 drypoint etchings, combining engraving and drypoint, using hand and electric tools, by Jim Dine, plus an additional print on chine colle from the second state of the frontispiece (entitled "Details from Nancy's Garden"), signed by Dine, laid...
San Francisco: The Arion Press, 1990. Essay and glossary by Bill Berkson. Broadsheets (22 x 15 inches). 42 lithographs by Jim Dine. With 8vo (11 x 7 1/2 inches) text volume in pocket of box; sewn in original printed wrappers. Contents loose as issued in red cloth portfolio box. LIMITED...
Hammersmith, London: Doves Press, 1903. Two bifolia from the Doves Bible, printed on Vellum, from volume II, a fine text that concludes with the colophon leaf on which are the names of the printers T. J. Cobden-Sanderson and Emery Walker. Initial capitals in red. Comprising 2 conjugate leaves, first leaf...
Cambridge: University Printing House, 1956. 8vo. 50 pp. Illustrated. Original patterned cloth; slipcase. A fine copy. FIRST EDITION, one of 500 copies.
The Brook, Hammersmith: [London: Hacon & Ricketts] for The Eragny Press, 1900. 8vo. Wood-engraved illustration in black-and-white with a border printed in black and red on p. 3, by Lucien Pissarro, 38 wood-engraved initials in red, designed by Lucien and engraved by Esther Pissarro. Original cloth-backed floral-paper boards, gilt-lettered on...