Paris: Hachette, 1901. First edition. Folio (12 1/4 x 8 1//2 inches). 436 pp. 19 plates, some printed in color, black-and-white illustrations in text. Fine French binding by P. Affolter, three-quarter red morocco, marbled boards, smooth spine richly gilt with floral and other tools, top edges gilt. Slight touches to extremities, generally fresh and bright.
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[Mount Vernon, NY]: A. Colish, 1988. Introduction by Kit Currie. 8vo. 52, pp. Printed in red and black. Original patterned paper boards. A fine copy. One of 1500 copies designed by Jerry Kelly.
Charleston, WV: Mountain State Press with The University of Charleston, 1981. 8vo. 12pp. Original printed wrappers. A fine copy, Albee's signature somewhat bled. FIRST EDITION, LIMITED ISSUE, number 120 of 250 copies signed by the author.
New York: Harry N. Abrams, . First American edition. Large folio. 397pp. Original cloth; dust jacket; plain board slipcase. In fine, unread condition.
New York: Metropolitan Museum of Art, 1977. Reprint of the 1911 edition published Paris: Deplanche, with a new English translation by Lauren Shakely. Folio. Woodcuts bu Dufy. Original flexible cloth; publisher's slipcase. Some sunning to slipcase, otherwise fine. Inspired by Picasso's experimental woodcuts that depicted animals, Apollinaire got the idea...
New York: Harcourt Brace Jovanovich, 1972. Two volumes, 4to. Profusely illustrated, some plates folding. Original cloth; dust jackets; red cloth slipcase. A fine copy. FIRST AMERICAN EDITION.
Cambridge: Privately Printed, 1970. 8vo. 44pp. Original cloth-backed boards. Fine. FIRST EDITION, one of 500 copies. This was Cambridge University Press's Christmas book of the year. The two leaves of illustration were printed by the Officina Bodoni.
Munich, Berlin, London, and New York: Delmonico Books, 2010. 4to. 399pp. Color illustrations. Original gilt-designed cloth; slipcase. Fine. FIRST EDITION.
New York: The Metropolitan Museum of Art, 1990. First edition. Folio. Profusely illustrated in color and black-and-white. Original red cloth, gilt-lettered on spine; original pictorial dust jacket.
New York: Targ Editions, 1979. Tall 8vo. 20, pp. Original cloth; glassine. A near-fine copy with slight foxing at edges of boards. FIRST EDITION, LIMITED ISSUE, number 336 of 350 copies signed by the Nobel Prize winning author. Designed by Ronald Gordan at The Oliphant Press.
Béthune: Éditions Brandes, 1985. 8vo. Frontispiece by the author. Original printed wrappers; glassine. Light toning to glassine. LIMITED EDITION, number 2 of 111 copies.
North Hills, PA: Bird & Bull Press, 1982. 8vo. 154,  pp. Original quarter morocco, patterned paper boards; acetate. A fine copy. FIRST EDITION, number 324 of 350 copies. Printed on mouldmade Bugrabutten paper and bound by Gray Parrot.
Cazenovia, New York: Henry & Sweetlands, 1845. First edition. 12mo. 252 pp. Contemporary sheep, black morocco lettering pieces. Splits to joints, some wear to extremities; browned. The author was born in New Hampshire in 1788, graduated from Brown University in 1812, and was a bestselling author whose most notable work...
Harper Woods, MI: Adagio Press, 1982. 8vo. Printed in red and black. Original printed wrappers. A fine copy. LIMITED EDITION, number 65 of approximately 200 copies signed by the publisher Leonard F. Bahr.
Paris: Mourlot for André Sauret, 1952. Folio (12 1/2 x 9 1/2 inches). 183 pp.: 15 pp. text, 98 plates, 8 pp. table and colophon. Original printed wrappers; glassine; slipcase. A fine copy with slightest of toning. FIRST EDITION.
Paris: Mourlot for André Sauret, 1963. Folio (12 1/2 x 9 1/2 inches). 15 pp. text, 146 color plates. Original printed wrappers; glassine; slipcase. A fine copy with one small chip to glassine. FIRST EDITION, one of 4,125 copies (this out-of-series).
London: Saunders and Otley, 1834. Large-paper copy of the first edition. Tall 8vo (10 5/8 x 7 1/8 inches). 341 pp. 27 engraved plates. Contemporary red morocco, covers with quadruple-fillet gilt border surrounding a wide gilt-floral-tooled border, spine in six compartments with five raised bands, gilt-lettered in one, a richly...
Chicago: Art Media Resources, 2008. Folio. 147pp. Color photographs. Original cloth; dust jacket. A near-fine copy with slightest shelfwear to jacket. FIRST EDITION of this landmark study of the gold artifacts created by the Khmers who founded Cambodia.
New York: The Museum of Modern Art, 1967. Square 8vo. Unpaginated. Black-and-white photographs. Original white printed wrappers. Slight toning to covers, slightest cockling. FIRST EDITION. Includes a chronology and bibliography.
New York: Lincoln MacVeach / The Dial Press, 1924. First edition. 8vo. Original cloth-backed decorate-paper boards. Some slight wear at extremities; two leaves with some internal creasing and small associated tears, ink gift inscription on front free endpaper.
[Verona: Officina Bodoni for] Philobyblon, 1990. Folio (12 x 8 inches). Tect in Latin and Italian. Diagrams in text. Original black morocco gilt; acetate; slipcase. A fine copy. FIRST EDITION, LIMITED ISSUE, number 91 of 120 copies.
Northridge, CA: Lord John Press, 1981. Broadside (11 x 16 inches). Illustration by James R. Silke. A few soft creases, generally fine. Number 80 of 150 copies signed by Carver and Silke.
Hartford, CT: University of Hartford, 1988. Tall 8vo. 60pp. Original red printed wrappers. A fine copy. FIRST EDITION of the University of Hartford's commencement program, awarding Carver a doctorate in 1988. Includes a portrait and biography on p.23 and Carver's address on pp.24-5.
Elmwood, CT: Raven Editions, 1988. Bifolium. Illustrated by Joe Hicks. Original marbled wrappers by Faith Harrison. A fine copy. FIRST SEPARATE EDITION, LIMITED ISSUE, number 1 of 15 copies designated presentation copies signed by Carver, from an edition of 70. This poem first appeared in the journal Caliban.
Northridge, CA: Lord John Press, 1984. 8vo. 19, pp. Original cloth-backed patterned boards by Marianna Blau; acetate wrapper. A fine copy. FIRST EDITION, number 156 of 200 copies signed by Carver on the half-title from an edition of 226. Stull A16.