New York: The Museum of Modern Art, 1962. 8vo. Deluxe issue with all of the illustrations colored with watercolors by Parker. Original cloth-backed boards; publisher's slipcase with printed cover label. A fine copy with slightest of wear to the slipcase. FIRST EDITION, LIMITED DELUXE ISSUE, COPY NUMBER 1 from an... More
Elmwood, CT: Raven Editions, 1987. 8vo. Frontispiece by Ronald J. Sloan. Marbled wrappers. FIRST EDITION, number 48 of 100 copies signed by Carver from an edition of 140. Edited with an afterword and notes by William L. Stull. Early writings by Carver, comprising eleven poems and a story. More
Boston: Houghton Mifflin, 1964. 8vo. 54 pages. Printed on rectos only. Plain wrappers, with comb binding. SCARCE UNCORRECTED PROOF OF KINNELL'S FIRST BOOK, with the publisher's press sheet stapled to inner front wrapper. More
Igal Roodenko for New Directions, 1959. Single folded sheet, folding to 5.5 x 3.5 inches. FIRST EDITION, one of 100 copies, of this poem written by the poet "To be Recited to [his wife] Flossie on Her Birthday." Wallace D18. More
London: The Chiswick Press for Frederick Etchells and Hugh Macdonald, 1925. 8vo. 59 pages. Blue cloth-backed boards, uncut and unopened. LIMITED EDITION, one of 650 numbered copies from an edition of 725. More
Christine Burgin / New Directions, 2013. Folio. 272 pages. Cloth; dust jacket. FIRST TRADE EDITION (it was originally published as an artist's book by Granary Books). "The Gorgeous Nothings is a pivotal book: the first full-color publication of Emily Dickinson's complete envelope writings in facsimile from her visually stunning manuscripts... More
Harper and Row, 1970. First. 80 pp. More
Harper and Row, 1976. First. 71 pp. More
New York: Farrar, Straus, Giroux, 1983. 8vo. 287 pages. Cloth; dust jacket. FIRST EDITION, first printing. More
London: Aloes Books, 1991. 8vo. Printed wrappers. FIRST EDITION, signed by Blagg on the title-page. More
San Francisco: Kayak, 1969. 4to. Prints by Judy Starbuck. Wrappers, printed title label on cover. One of 1000 copies. More
