Boston: The Cricket Press, 1965. 4to. Woodcuts and wood-engravings by George Lockwood. Sewn in Japanese-style binding, grey boards, printed paper title labels on spine and cover; plain board slipcase. With a 45 RPM vinyl record in pocket on inner rear board. Number 44 of 150 copies signed by Bockes and.....
West Burke, VT: The Janus Press, 1975. 8vo. Color relief print by Claire Van Vliet. Grey cloth, printed paper spine label. Number 227 of 250 copies signed by the author and artist. Handset by Nancy Southworth, printed on Mohawk Superfine by Susan Johanknecht, bound by James Bicknell.
West Burke, VT: The Janus Press, 1980. Tall narrow 8vo. Xerox by Ray K. Metzker. [20] pages. Black cloth, printed paper label on spine. Number 17 of 150 copies signed by Lockwood and Metzker, with a lengthy 1980 inscription by Lockwood to a collector on the colophon. The text was.....
Paris: Editions Jannink, 1980. 11 x 8.5 inches. 176 pages. Fully illustrated in black-and-white. Original boards; pictorial dust jacket. First edition, inscribed by the author.
Northampton, MA: The Rosemary Press, 1969. 4to. 30, [2] leaves. Printed in colors. Quarter parchment, green paper boards gilt, gilt-lettered on spine. Number 161 of 250 copies (not one of the fifty specially bound) signed by Offner. Printed by Richard Warren and Elliot Offner. Presswork by Frederick Rau. Further inscribed.....
Boston: David R. Godine, 1970. 8vo. Printed wrappers. One of 1000 copies.
Pierre, SD: The Menhaden Press, 1982. Oblong 8vo. Printed in red and black. Illustrated by Jim Lockwood. Quarter linen, marbled boards, printed paper spine label. One of 160 copies, printed on Mulberry by F. W. Hegeman. Inscribed on the colophon in July 1982 to a collector.
Carmel: The Friends of Photography, 1979. 10 x 8.5 inches. 56 pages. Profusely illustrated in black-and-white. Original printed wrappers. First edition, signed by the photographer on the hal- title.
Seal harbor, ME: High Loft, 1985. 8vo. 50, [3] pages. Printed by Nancy McCormick. Original blue cloth, printed title labels on front cover and spine; board slipcase. Number 23 of 100 copies signed by Nancy McCormick, from an edition of 125. Printed by Karen MacDonald.
Seal Harbor, ME: High Loft, 1982. 8vo. 47, [2] pages. Frontispiece etching by Jan Swearer. Quarter blue morocco, blue cloth boards, decorated endpapers, gilt-lettered on spine. Copy X of 20 copies specially bound by Gray Parrot. Signed by the author and illustrator.
Haarlem, Netherlands: Joh. Enschedé en Zonen, 1984. 9.5 x 13 inches. 80 pages. Fully illustrated in black-and-white. Original printed wrappers. First edition, signed by the photographer on the title-page.
Seal Harbor, ME: High Loft, 1983. Tall narrow 8vo. 45, [4] pages. Woodcuts by Karen MacDonald. Original canvas backed blue boards, printed paper spine label. Number 33 of 50 copies for sale, from an edition of 150. Designed, illustrated, and put through the press by Karen MacDonald.
Seal Harbor, ME: High Loft, 1980. Tall 8vo. 34, [5] pages. Illustrated, and with an afterword, by Philip Hofer Hecksher. Patterned paper boards, printed spine label; board slipcase with printed label. One of 150 copies, printed on Hosho Washi, bound by Gray Parrot. With the artist's chop-mark on colophon...
Seal Harbor, ME: High Loft, 1981. 8vo. 21, [2] pages. Four woodcuts by Elaine Young, with commentary by David H. C. Read. Original quarter vellum, patterned paper boards. Number 25 of 200 copies, presswork by T. R. Coleman, binding by Gray Parrot.
Seal Harbor, ME: High Loft Press, 1985. 12mo. [12] pages. Three woodcuts by Karen MacDonald. Sewn in original printed wrappers. One of 150 copies of this keepsake, inscribed "August Heckscher & thanks!"
Seal Harbor, ME: High Loft Press, 1984. Tall narrow 8vo. [4] pages. Original grey wrappers, printed paper title label on front cover. One of 150 copies. With printed slip laid-in by Heckscher, explaining the origins of this keepsake, and inscribed by him "to a favorite patron!"
Seal Harbor, ME: High Loft, Christmas 1981. 8vo. viii, [1] pages. Woodcuts by Nancy McCormick. Original printed wrappers. One of 150 copies, with a presentation note by Heckscher laid-in. First printed in The Christian Science Monitor, September 1974.
Boston: David R. Godine, 1978. 4to. 57 pages, color plates at end. Original cloth; plain card slipcase. Number 188 of 500 copies. Designed by Martino Mardersteig and printed at the Stamperia Valdonega.
Boston: David R. Godine, 1969. 8vo. 32, [3] pages. Original cloth-backed boards. One of 750 copies, this copy unnumbered. Printed on Eltham rag paper made in England.
Boston: David R. Godine, 1969. 8vo. 32, [3] pages. Original cloth-backed boards, printed paper spine label; plain board slipcase. Number 450 of 750 copies. Printed on Eltham rag paper made in England.
Boston: David R. Godine, 1981. 8vo. 142 pages. Original cream linen, green decorated cloth cover; printed slipcase/. Limited edition, number 18 of 150 copies so designated in calligraphy and signed by the author.
London: Phaidon, 2009. 10 x 10 inches. [120] pages. 61 duotone photographs. Cloth; dust jacket. Boldly signed by Ballen on the half-title. Originally published in 2001, this reprint brings back Ballen's striking images of whites on the fringes in South Africa.
Munich, etc. Prestel, 2007. 11 x 9.5 inches. Color photographs. Essay by Adetokunbo Abiola. Original cloth; dust jacket. First edition, and surprisingly uncommon. "Many myths surround the Hyena Men who haunt the peripheries of Nigeria's cities. Accompanied by hyenas, rock pythons and baboons, these men earn a living by performing.....
San Francisco: San Francisco Museum of Modern Art, 1999. 10 x 9 inches. 160 pages. Black-and-white photographs. Original cloth; dust jacket. First edition. This monograph, accompanying a major SFMoMA retrospective, introduced Moriyama and his dark, humorous, bizarre, and aggressive photography to the U.S.
London: Chris Boot, 2010. 8 x 6 inches. 240 pages. Color photographs. Flexible simulated leather. First edition. "Infidel" is an intimate portrait of a small battalion of US soldiers, posted in the remote and dangerous Korengal Valley in North Eastern Afghanistan shot over the course of a year, Hetherington’s photographs.....
