Gent: TOM publishers, 2010. 5.75 x 4 inches. [270] pages. Original gray cloth. First edition, signed by Kris Martin (and Wim Goes with monograph?) on the front free endpaper. Describes the building of the Idiot Chapel. On the left-hand page of most openings is a description of a part of.....
New York: Irving Publishing Co., 1888. Thick 8vo. 684, [1], xx, [1] pages. Frontispiece and nearly 50 plates. Publisher's gilt-lettered and -decorated bevelled green cloth. First edition, a well above average copy of a book often found in poor condition, with hinges strong and the cover gilt fresh and bright.....
New York: E. P. Dutton, 1969. 8vo. 191 pages. Original cloth; dust jacket designed by James McMullan. First edition. Signed by Ashbery on the title-page.
New York: Penguin, 2019. 8vo. 246 pages. Blue quarter cloth and boards; printed dust jacket. First edition, first printing. Signed with initials on the front flyleaf.
Vancouver, BC: Image Bank, 1977. 49 postcards, including title card, in publisher's printed box. 4 x 6 inches. Michael Morris and Vincent Trasov (aka Mr. Peanut) founded Image Bank in 1969 as a method for personal exchange of information between artists through the use of the postal system. " Image.....
North Hills, PA: Bird & Bull Press, 1969. 8vo. Original quarter red leather, by Kurt Gaebel & Sons. Number 210 of 375 copies.
North Hills, PA: Bird & Bull Press, 1976. 8vo. Original quarter niger, bound by Edward G. Parrot II. Number 124 of "approximately 220 [so stated]" copies.
North Hills, PA: Bird & Bull Press, 1967. 8vo. Original quarter niger, bound by Sangorski & Sutclife. Number 22 of 500 copies. Sample of paper from the De Schoolmeester mill in Holland laid in, as issued.
North Hills, PA: Bird & Bull Press, 1981. 8vo. Original quarter niger, bound by Gray Parrot. Number 249 of 300 copies. With prospectus laid in. Presentation copy, inscribed by Leonard B. Schlosser to his brother Alfred.
New York: Alfred A. Knopf, 1961; 1970. Together two volumes, tall 8vo. Original cloth; printed dust jackets. Both first editions, scarvce first printings of both volumes (i.e. stated first editions with no further record of printings).
New York: Random House, 1957. 8vo. Publisher's green cloth; printed dust jacket designed by George Salter. First edition, first printing (stated on title page verso), first issue jacket, with $6.95 price and code 10/57 both present on inner front flap.
New York: Tyler Graphics Limited, 1980. 6 x 6 inches. 48 pages. Wrappers. First edition.
New York: Aperture, 1992. Oblong 4to. Black-and-white photographs. Cloth; dust jacket. First edition, second printing. This hardcover issue was separately issued from the paperback issue that was published to accompany the exhibition of the same name.
New York: Aperture, 1984. 4to. 79, [1] pages. Cloth; dust jacket. First trade edition (there was also a signed limited edition with an original photograph).
Liverpool: J. Nuttall, 1804. Folio (370 x 228 mm). 40 engravings. Early 19th-century reverse calf, gilt-decorated panel on outer edge of covers, maroon leather spine table, top and bottom edges gilt, with a fine FORE-EDGE PAINTING BY JOHN T. BEER, entitled "Christ at Gennesaret" [on the shore of Lake Gennesaret].....
Oxford: Tho[mas] Guy, [1682]. 12mo (163 x 88 mm). Contemporary full black morocco, covers tooled in gilt to a cottage roof design with onlays of citron and red morocco, marbled pastedowns, all edges gilt, with VISIBLE FORE-EDGE PAINTING OF FLOWERS. In a black cloth folding case. Provenance: Ann Bartlett ("her.....
74 x 47 mm. Blank book of approximately 75 leaves. 19th-century embroidered binding over paper boards, patterned cream silk, the covers with outer border of gold thread and small metal discs, at center a large flower of rose, green and gold threads, smooth spine with three smaller flowers of similar.....
Paris: J. Barbou, 1773. 87 x 53 mm. Special copy on blue paper. Half-title. Engraved frontispiece by N. Le Mire after J.M. Moreau. Text printed within decorative border. 18th-century red morocco gilt, spine in six compartments with five raised bands, added arms of William Stuart on front cover, all edges.....
Edinburgh: Edmunston & Douglas, 1866. 12mo (185 x 122 mm). Full dark-purple straight-grained morocco gilt, all edges gilt, by Rivière, with a FORE-EDGE PAINTING BY C.B. CURRIE under the gold, of a view of Pope's Villa at Tickenham. In a black cloth folding case. Provenance: Sotheran Catalogue 82, item 831.....
London: Macmillan, 1914. 12mo (192 x 127 mm). Full blue-green straight-grained morocco gilt, all edges gilt, by Rivière, with a FORE-EDGE PAINTING BY C.B. CURRIE under the gold, of a view of Stratford-on-Avon Church. In a black cloth folding case. Provenance: Sotheran Catalogue 85, item 796 (with their inkstamp on.....
London: Ellis & Elvey, 1889. 4to (257 x 183 mm). Portrait frontispiece. Beautiful Cosway binding of blue crushed levant morocco, wide-spaced gilt-fillet border with gilt roll-tooled strapwork surrounding a central frame around the miniature by C. B. Currie of Christopher Columbus, under beveled glass, Columbus's name and quotation gilt-stamped beneath.....
Oxford: the Clarendon Press, 1781. 12mo (97 x 59 mm). Vellum gilt, front cover with painting of David playing the Harp and lower cover with an allegorical figure of the Church Triumphant, smooth spine divided into panels by a gilt key pattern on a blue wash background, all edges gilt.....
London: C. Etherington for G. Kearsley, 1783. 12mo (178 x 102 mm). Engraved portrait vignette on title (some browning and spotting). Contemporary vellum, covers with a gilt pentaglyph and metope roll border on a blue wash background within a gilt dog-tooth roll, covers painted under the vellum in grisaille, the.....
London: E.T. For a Society of Stationers, 1655. 12mo (169 x 115 mm). Ruled in red throughout. Woodcut title. Contemporary black goatskin, elaborately tooled in gilt, small central oval onlays of calf at center of a large rectangular onlaid panel, spine in seven compartments with six raised bands, red morocco.....
London: Charles Bill, and the Executrix of Thomas Newcomb deccas'd, 1691. 8vo (page size 172 x 104 mm). Ruled In red throughout. 63 (allegedly of 64) plates, including portrait frontispiece of King William and extra engraved title, skillfully colored by a contemporary hand, heightened with gold. Contemporary binding by Robert.....
