New York: New Directions, 1955. 8vo. 197 pages. Original tan cloth; pictorial dust jacket designed by Alvin Lustig. First edition, jacket marked third printing (with mention of The New York Times on the copyright page and with credits to Mielzinger & Ballard on page xii). A fine example of Lustig's.....
New York: New Directions, 1950. 8vo. Original black cloth; pictorial dust jacket designed by Alvin Lustig. First trade edition. Despite its flaws, the front panel of the jacket is very presentable and is a good example of Lustig's design skills.
New York: Equinox Cooperative Press, 1934. 8vo. 61 pages. Illustrated with reproductions of lithographs by Lynd Ward. Original blue cloth, printed paper label on spine. Number 274 of 1000 copies numbered and signed by Thomas Mann (990 were for sale).
Beverly Hills CA: Hanson Galleries, 1989. 11 x 8.25 inches. 73 pages. Illustrated in color and black-and-white. Original black cloth, lettered in gold; pictorial dust jacket. First edition, boldly signed across the entire span of a front flyleaf: "For Max Love Peter Max 1990." Designed by Victor Zurbel, and with.....
New York: Alfred A. Knopf, 1973. 8vo. 174 pages. Original black cloth; pictorial dust jacket incorporating Magritte's "The Listening Chamber," designed by R. Scudellari. First edition of this collection of short stories, signed by Cheever ("John Cheever") on the front free endpaper.
Stockholm: GunGallery, 2009. 245 x 175 mm. 176 pages. Original cloth, each cover with image mounted. Limited edition, signed and numbered 254 of 250 copies of an edition of 400 (two issues of 25 copies each with a print; 150 copies signed and numbered as here; and 100 artist's proofs).....
Stockholm: Byggfolaget, 1998 [but 2009]. 8vo. 124 pages. Original cloth, two original photographs mounted on covers. FIRST EDITION, DELUXE ISSUE, number 11 of 100 copies signed by Johansson. This special edition was made in 2009 from the last remaining copies of 'Amerika' that had been published in 1998 in an.....
Tokyo and New York: Gallery Min and Aperture, 1989. 10 x 13 inches, oblong. Black-and-white and color images, some folding. Original black boards, printed paper label on front cover; original matching open-faced slipcase. First edition, signed "Cheers! Lewis Baltz" on the title-page. Published to coincide with the exhibition held 13.....
Chicago and New York: Museum of Contemporary Art, Chicago; D. A. P., 2003. 12 x 11 inches. 166 pages. Tritone images. Original cloth; translucent dust jacket printing an image. First edition, signed by Sugimoto on the title-page. With essays by Francesco Bonami (who was also the exhibition's curator), Marco De.....
New York: Violet Press, 1977. 11 x 11 inches. 72 duotone illustrations. Original pink printed wrappers, lettered on front cover, the rear cover with self-portrait by Rexroth. First edition. Printed by Thomas Todd Company; designed by Katy Homans. With brief texts by Rexroth and Mark Power along with a poetic.....
New York: Violet Press, 1977. 11 x 11 inches. 72 duotone illustrations. Original pink printed wrappers, lettered on front cover, the rear cover with self-portrait by Rexroth. First edition. Printed by Thomas Todd Company; designed by Katy Homans. With brief texts by Rexroth and Mark Power along with a poetic.....
New York: Violet Press, 1977. 11 x 11 inches. 72 duotone illustrations. Original pink printed wrappers, lettered on front cover, the rear cover with self-portrait by Rexroth. First edition, signed by Rexroth on the half-title. Printed by Thomas Todd Company; designed by Katy Homans. With brief texts by Rexroth and.....
Tuscon: Nazraeli Press, 2006. 12.5 x 11.5 inches. 84 images. Wooden boards, cloth spine; original slipcase with paper label. First edition, one of 5000 copies, signed by Kenna on the title-page. Text in Japanese and English. Introduction by Dado Moriyama. Designed by Hideyuki Taguchi and Chris Pichler. All plates reproduced.....
New York: Robert Mann Gallery, 1992. 10 x 8.75 inches. 55 pages. Pictorial wrappers. First edition, one of 1000 copies. Brief texts by Robert Sobieszek, James L. Enyeart, Carl Chiarenza, Henry Holmes Smith, and Harold Rosenberg. Includes over 40 black and white images.
New York: Robert Mann Gallery, 1997. 10 x 9 inches. 49 pages. Pictorial boards. First edition, one of 1000 copies. With an essay by Sheryl Conkelton and 36 duotone plates. Published on the occasion of the 1997 exhibition at Robert Mann Gallery.
San Francisco: Bedford Arts, 1991. 10 x 10 inches. 130, [2] pages. 62 black-and-white photographs. Original printed wrappers with folded flaps at front and back. First U.S. edition of Fukase's masterpiece, with an introductory note by David Travis and an afterword by Akira Hasegawa. Printed by Toppan Printing in Tokyo.....
Pasadena: Pasadena Art Museum, 1967. 10 x 8.75 inches. 53, [3] pages. Stiff card covers, black spiral binding. One of 1200 copies of this catalogue. The exhibition was held at the Pasadena Art Museum 9/15 to 10/22, 1967; Washington University, St. Louis 2/1 to 3/3, 1968; and University of Texas.....
Tokyo: World Photo Press Co Ltd, 2003. 11 x 8.25 x 1.75 inches. Complete boxed edition, with magazine-style book densely illustrated throughout in black-and-white and color, stiff pictorial wrappers, mounted on original figurine box and "Strange Melting DOB." Uncommon in the U.S. market.
New York: Museum of Modern Art. 9 x 6 inches. 165 pages. Photographs by Blaine Waller. Stiff card covers and white spiral binding. ARTY MORSELS. First edition, an interesting early copy marked "Production Copy" on a sticker on the front cover, and on the half-title, dedication and contents pages. The.....
New York: Farrar, Straus and Giroux, 1977. 8vo. 207 pages. Original grey cloth, white lettering on spine; pictorial dust jacket designed by Jacqueline Schuman. First edition, first printing of Sontag's landmark investigation of the nature and role of photography, oft reprinted but here in its original edition just as it.....
New York: Museum of Modern Art, 1970. Oblong (8 x 14 inches). 221 pages. Black-and-white and color illustrations. Original flexible plastic cover, a sculptural design flourish enhanced further by the pink decorated endpapers. First edition. This major retrospective exhibition was held 25 September to 23 November 1969. The catalogue designed.....
New York: The Museum of Modern Art, 1971. 4to (10.75 x 9 inches; 273 x 228 mm). 108 pages. 364 illustrations, of which 20 in color. The inside front plastic case illustrated with a two-color offset lithograph "Target 1970", by Jasper Johns, signed in the plate by Johns, with three.....
Scalo, 1994. Folio (14.5 x 11 inches). Blank-and-white photography. Original pictorial boards. First edition, presentation copy, inscribed by Peress to pioneering photo-gallerist Marjorie Neikrug in bold silver ink on the title: "For Marge / Gilles Peress." "Farewell to Bosnia covers a period of almost six months during 1993, focusing primarily.....
Assouline, 2012. 15 x 12 inches. Profusely illustrated. Photography by Ricky Zehavi and John Cordes. Original cloth; the special edition in matching slipcase. "The window displays at Bergdorf Goodman are among the most famous in the world. Beyond mere marketing tools, they are legendary for their artistry, detail, smart references.....
Rome: Contrasto, 2010. First edition. 11 x 10.5 inches. Original wrappers. 2 volumes. One of which is smaller and fits in a special matching case. With original outer wrap-around band. Book was sold together with Double Negative by Ivan Vladislavic. "Commencing in the 1950s, his masterful lens probes, documents and.....
