American Pop Art
New York and London: Collier / Macmillan / Whitney Museum, 1974. 8vo. 144 pages. Color and black-and-white illustrations. Pictorial wrappers. The exhibition was held 6 April to 16 June 1974.
New York and London: Collier / Macmillan / Whitney Museum, 1974. 8vo. 144 pages. Color and black-and-white illustrations. Pictorial wrappers. The exhibition was held 6 April to 16 June 1974.
New York: 1977-78. From the Bart Auerbach Collection. 226 pages, 4to, ribbon copy and the setting copy with extensive edits by the author and his editor at Random House (who has also extensive markings for the printer). Some minor edge tears and fraying, but in very good condition. With: A......
New York: Harry N. Abrams, 1969. 8 x 9 inches. Cloth; dust jacket. "Examines the Bulgarian-born artist's major works, such as Surrounded Islands, Running Fences, and the Pont Neuf Wrapped, which are catagorized as both sculptures and performance art."
New York: Monacelli Press, 2008. Folio. 160 pages. Boards; translucent printed wrapper. FIRST EDITION. Published in conjunction with the exhibition at the Institute of Contemporary Art, Boston.
New York: Lospeccio Press, 1997. Oblong 8vo. Illustrations by Larry R. Collins. Original printed wrappers, sewn. First edition. One of 126 copies signed by the illustrator (not signed by Ferlinghetti). Printed on a Vandercook press by Ronald Gordon at The Oliphant Press.
Canada: Little, Brown, 1997. 12.25 x 9.5 inches. 104 pages. Cloth; dust jacket. Signed on title-page by the two editors and the one contributing essayist Jon Kulka. "Self-taught photographer Clarence John Laughlin (1905-85) spent most of his career in and around New Orleans. Dubbed "Edgar Allan Poe with a camera,".....
Florence: Privately Printed by the Tipografia Giuntina, 1928. 8vo. Brown half morocco, pebbled cloth boards, top edges gilt, others untrimmed. First edition, number 670 of 1000 copies signed by the author. "Mr. Lawrence has moments of greatness, of course, but hours of something very different" – Virginia Woolf ('The Common.....
Florence: G. Orlioli, 1929. 8vo. Frontispiece. Original boards, printed paper label on spine. Number 279 of 750 copies, of which 700 were designated for sale. Edited by Richard Aldington and Giuseppe Orioli.
London: Elkin Mathews, 1928. 8vo. Original boards; dust jacket. Number 458 of 530 copies signed by Lawrence.
London: Faber and Faber, 1941. 8vo. 80 pages. Red printed boards; printed dust jacket. First edition.
Paris: The Black Sun Press, 1928. 8vo. 37, [4] pages. Color frontispiece after a drawing by Lawrence. Original printed wrappers, glassine, gilt chemise with silk tie. Provenance: C. C. Sampson (bookplate). First unexpurgated edition (it was first published in 1926). One of 150 copies on Holland Van Gelder Zonen to.....
Santa Barbara: Black Sparrow Press, 1985. 8vo. Original cloth-backed-boards; acetate wrapper. First edition, one of 500 hardcover trade copies.
From the Bart Auerbach Collection. A total of 7 pages, 4to, each a bifolium, and with its wax seal. The first letter has a seal hole affecting parts, but not the sense of three words, and a fold tear touching a few letters; on the fourth page Lawrence has written.....
London: Callow and Wilson, 1824. Fourth edition. 8vo. Contemporary sheep.
Milan: Christian Marinotti Editore, 1998. 11.75 x 9 inches. Wrappers. Catalog published on the occasion of the exhibition from January - March 1998.
New York: Thames & Hudson, 2013. Two volumes, 4to. Original pictorial boards; slipcase. FIRST EDITION.